Fortunately, the image stabilisation in Final Cut Pro X will usually take the kick out, but it's a pity Sony couldn't. The camera is so good in nearly every other way, that I decided to put up with the kick in the zoom. It's so bad that I returned the first camera that was sent to me, thinking it was a fault, but the replacement was just the same, so I decided to stick with it. ![]() Even with image stabilisation on, the kick is still apparent. There is a hugely pronounced kick in the zoom which is really annoying. Another big plus for me is the constant f2.8 lens.Ī big drawback, however, is the zoom. It's very easy to use, and image quality for both video and stills is excellent. o go for that until I discovered it didn't have a built in ND filter.Īs I shoot most of my footage in s-log2, the built-in ND is virtually essential because of the increased ISO setting, so I opted for another RX10 ii. At about this time, Sony released the RX10 iii with a 600mm (equivalent) zoom, so I was initially tempted t. Very soon, I decided I would use two RX10's so that both produced closely matched colours and quality. ![]() The video codec proved far easier to colour correct too. ![]() I bought my first RX10 ii as a handy b-roll video camera for my much larger (and more expensive) Sony EX1R video cameras, but I very quickly realised the image quality of the RX10 ii was far superior to that of the older cameras.
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